Those things (although I’m not exactly sure what “poor quality multis” is).You know, listening to this again with ATMOS restored today and smiling because how good this music and the ATMOS mix sounds, even if lossy.
it does make me wonder why so many other ATMOS mixes go out that fail to take full advantage of ATMOS capabilities like this one? lazy up mixing? Less talented producers/mixers? poor quality multi tracks?
Plus sometimes the multis may not even be available. And perhaps most importantly, good mixing is time and money - particularly with stuff originally recorded to analog tape in the pre-digital era. The return on doing a quality surround mix on a vintage album probably isn’t as good as we like to think it is.