Listening to in Dolby Atmos Streaming, via Tidal/Apple/Amazon

[channelar]

Last I checked, there were still only a couple of preview tracks. I think the official release is later this month.

Ha! The full box set is streaming as of an hour ago. Just no Atmos. It's the same in US, AU. But thanks!

 

[aardvark2300]

Is it me or is the last Apple tv 4k update made the handshake issue even worst than before?
It now takes my Apple device 3-4 seconds for a track to start playing.

It’s not just you - the first 4-5 seconds of the first track of each album results in silence for me as well. Wish Apple would fix this problem!

 

[humprof]

Ha! The full box set is streaming as of an hour ago. Just no Atmos. It's the same in US, AU. But thanks!

Huh. That's weird. The preview tracks they put up a few weeks ago were in Atmos. I bet things are just in motion right now; they'll probably settle out in a day or two.

 

[channelar]

From the Amazon TV Series of the book. The surround seems a bit inconsistent and varies between tracks but the album from the fictional ‘Daisy Jones and The Six’ is not a bad California rock mid seventies impersonation. ng forward to the series.

 

[petrimyllyla]

It’s works on my Australian account. It doesn't seem to be available on my main US account. There is some remastered cover. The Australian one has the normal cover. More later…

Works in Finland, too.

 

[AYanguas]

Is it me or is the last Apple tv 4k update made the handshake issue even worst than before?
It now takes my Apple device 3-4 seconds for a track to start playing.

In my case, not only it takes time to start a track, but sometimes it does not start at all, and keeps hanging. I have to press stop, navigate to main menu, or other king of "reseting", try later and cross the fingers.

 

[woody]

One of my favourite albums I bought on cd way back when released.

As for the mix… Loving it.

 

[JCDC]

One of my favourite albums I bought on cd way back when released.

As for the mix… Loving it.

I’m so happy that De La Soul finally have all their records up for streaming. Feels very bittersweet though.

 

[fredblue]

 

[fredblue]

 

[fredblue]

 

[fredblue]

 

[marpow]

Listening now, Apple Atmos full album Willie Nelson-I Don't Know A Thing About Love. Lyrics not showing yet.

 

[marpow]

Listening now, Apple Atmos full album Thelonious Monk Quartet-Monk's Dream, no lyrics needed.

 

[~dave~~wave~]

Digging the title track two-minute solo bass intro by Ruben Rogers.

The Blue Note hype:
Drummer and composer Kendrick Scott presents Corridors, a striking new album that finds the Houston-born drummer and composer paring down to a trio featuring saxophonist Walter Smith III and bassist Reuben Rogers.

The anticipated follow-up to A Wall Becomes A Bridge, Scott’s much-lauded 2019 release with his band Oracle, Corridors features eight original compositions and one new arrangement of a beloved tune from the Bobby Hutcherson canon.

 

[ted_b]

Although I work with classical titles all the time (NativeDSD) I am, from a listening perspective, a classical newbie. That being said, I have always liked the more adventurous multichannel mixes (Tacet is one end of that spectrum) and now, with immersive audio, I am drawn to the same...that is, either immersively recorded classical-oriented (Morten's 2L label in Atmos or Auro-3D, for example) or creatively mixed to use all the channels.

That being said, what are the more adventurous or well mixed classical releases on Apple Music Atmos? I guess I'm smitten with what Steve Wilson did on GD's Europe '72 and liking being more in the middle (or at least first few rows), or those ethereal mixes heard most often in what the Electronic music genre has done with immersive..

 

[marpow]

Question:
I have an Apple4K (USA) account.
I see on this thread and others where an Atmos release is deleted.
This not my experience.
When I go to my screen, I have RECENTLY ADDED, which they do get removed from there as I add new titles.
But when I go to the side bar under ARTISTS, the so called title that others say has been deleted, is still in my library ARTISTS section.
Is it because I have an account or are others missing something?

 

[humprof]

Although I work with classical titles all the time (NativeDSD) I am, from a listening perspective, a classical newbie. That being said, I have always liked the more adventurous multichannel mixes (Tacet is one end of that spectrum) and now, with immersive audio, I am drawn to the same...that is, either immersively recorded classical-oriented (Morten's 2L label in Atmos or Auro-3D, for example) or creatively mixed to use all the channels.

That being said, what are the more adventurous or well mixed classical releases on Apple Music Atmos? I guess I'm smitten with what Steve Wilson did on GD's Europe '72 and liking being more in the middle (or at least first few rows), or those ethereal mixes heard most often in what the Electronic music genre has done with immersive..

Off the top of my head, I would single out Nathaniel Reichman's Atmos mixes on a variety of John Luther Adams pieces--and on Caroline Shaw & So Percussion's Let the Soil Play Its Simple Part. I remember the mix on the Attacca Quartet's Of All Joys as being quite good, and the Malva Quartet's Wooden Bodies. Also Mats Bergström's EP of Steve Reich's Electric Counterpoint. Both LSO Live and Decca/DG have had some surprises, even though their early Atmos releases were relatively tame. I really like an LSO album called Nazareno, and their recent album of early Stravinsky ballets was also good.

 

[mrcond]

That being said, what are the more adventurous or well mixed classical releases on Apple Music Atmos?

This is a good place to start. Good use of all channels.

 

[mkt]

Although I work with classical titles all the time (NativeDSD) I am, from a listening perspective, a classical newbie. That being said, I have always liked the more adventurous multichannel mixes (Tacet is one end of that spectrum) and now, with immersive audio, I am drawn to the same...that is, either immersively recorded classical-oriented (Morten's 2L label in Atmos or Auro-3D, for example) or creatively mixed to use all the channels.

That being said, what are the more adventurous or well mixed classical releases on Apple Music Atmos? I guess I'm smitten with what Steve Wilson did on GD's Europe '72 and liking being more in the middle (or at least first few rows), or those ethereal mixes heard most often in what the Electronic music genre has done with immersive..

I think these put you more in the middle than some. (I enjoy a good "realistic" mix that puts you in the hall too).

A number of 2L recordings are on Apple Music in Atmos too, also trptk.