That's a strange result ?Given that Steven Wilson was provided the multitracks for "There's No Way Out of Here," and was unable to convince Gilmour that a full album remix was worth doing,
Something doesn't add up there ?
That's a strange result ?Given that Steven Wilson was provided the multitracks for "There's No Way Out of Here," and was unable to convince Gilmour that a full album remix was worth doing,
I think you're right on the money with this assessment. Though the sound quality on the whole is very good - the drums in particular are nice and punchy, especially on the songs where it's Steve Gadd playing - there's a cluttered feeling to some of the louder passages (choruses to the title track, end rave-up to "The Piper's Call", that final solo in "Scattered", etc) that borders on harshness at times. It's not horrible, but does kinda spoil some of the more grandiose moments.The Atmos mix is great, but I wouldn't say it's among the very best. The vocals in Luck and Strange are bit recessed. There's a nice low end foundation to the album as a whole, but it has a bit of a compressed sound to it. Like the dynamic range isn't quite there compared to OaI or RtL. Could just be me though.
His first, self-titled album is awesome, IMHO. About Face, not so much. But I'd welcome both of them in AtmosI’m waiting very patiently for the self titled album and About face to be done in surround, About face is his best album in my opinion
L&S, the more I hear it the more I like it.
Caught a little buzz last night and played the Atmos mix thru twice.
I really love the mix and the use of the height channels makes for an impressive presentation.
No doubt it's a 10 for me, maybe higher if I can hack the pole. LOL
Wow, I didn't realize it was never linked here, I've read about it at a few other places.Did I miss someone posting the Luck & Strange Tour Rehearsal YouTube? More like a run-through but pretty cool.
search on youtube as there was an actual concert done in a smaller venue this past week with lighting, etc. should give you an idea of what a full sized venue show would look like.Wow, I didn't realize it was never linked here, I've read about it at a few other places.
I do agree it's more like a "run-thrugh" In many aspects it seemed they weren't trying to get things perfect,
just finding all their entry points, etc.
Two concerts actually in Brighton, I was there on the second day with my son.search on youtube as there was an actual concert done in a smaller venue this past week with lighting, etc. should give you an idea of what a full sized venue show would look like.
Oh hell ya, I'd have thought I died and went to heaven, no matter Davids strength of voice.Very strong setlist in the first half and a bit more irregular during second, but I can tell you we enjoyed every single moment of it.
Not his best work for sure but I hear little to complain about.but definitely better than in Pompeii during RTL tour.
It was awesome indeed. I'm still pinching myself to make sure I didn't dream itThe mixing desk - best seat in the house.
£30 pounds for full dress rehearsal for an audience of 1,500. That is pretty cool.
Mine is the on the pickup point along with the Bowie, may be listening later tonight, but the weather is so nice here that it depends what get prioritized. Music inside, or beer and booze outside.
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