I'm listening to Locomotive from The Mission BDA. On this particular song, it does seem in the first quarter (maybe first eighth) that Tommy's vocals are louder in the 2 rears at first.....but man. I think it was on purpose because this piece is so atmospheric, and then as the song evolves, his vocals simply grow louder and sneak from the rears...sort of over your head and to the front. I LOVE that!! I don't think they were going for reproducing what you think a band or surround mix should sound like......I think they are going for effect/mood/space.
I'm glad they didn't go for a Steven Wilson style mix. (vocals locked and loud in the center)
And...don't get me wrong....I Love SW mixing obviously...but I'm not going to lie...sometimes the vocals locked and loud in the center are jarring for me. That's probably why I prefer Quad type mixes where the vocals create more of a ghost center....for me...that is much more enjoyable.
Again....this is just my preference. If all surround mixes simply followed a standard.....I would begin to find it all rather boring. I enjoy these different ways of listening to music.
Long story short, I still absolutely dig the way this whole album/surround adventure sounds. I must...because I keep playing it. My vote of 10 was not knee jerk voting...I still think it's a 10. It's everything I want a surround experience to be... That says something for me...