For remaining releases, I'd love for the band members to be taken through the album track by track, for comments and memories, as was done for Jethro Tull's 'Benefit'.
I like the XTC release much more.
I am a big Yes fan, but the sounds on 70s Yes albums are thin, no punch at all.
The recorded vocals are good.
Compare it to the 70s Rush or Led Zeps or Genesis outputs.
They all sound better in my opinion.
I had also the problem with Fragile on DVD-A.
Steven Wilson did a great job on CTTE, but he can not make it bigger, if the source is a bit weak.
What makes YES so special for me is their musical performance.
And I wish they had more taste to a fatter sound in the 70s.
The 'thin' sound as you call it is the result of Yes using all the multi tracks and then some. They were kings of overdubs, resulting in some tape degradation. The album Relayer has more overdubs than any 70s album I can think of for example, Relayer has the worst sound of the lot.
Not much Steven can do about that.
Jimi Hendrix - Electric Ladyland is another example of overdub extreme and that album also is very flat. But I still love it!
I like the XTC release much more.
I am a big Yes fan, but the sounds on 70s Yes albums are thin, no punch at all.
The recorded vocals are good.
Compare it to the 70s Rush or Led Zeps or Genesis outputs.
They all sound better in my opinion.
I had also the problem with Fragile on DVD-A.
Steven Wilson did a great job on CTTE, but he can not make it bigger, if the source is a bit weak.
What makes YES so special for me is their musical performance.
And I wish they had more taste to a fatter sound in the 70s.
The 'thin' sound as you call it is the result of Yes using all the multi tracks and then some. They were kings of overdubs, resulting in some tape degradation. The album Relayer has more overdubs than any 70s album I can think of for example, Relayer has the worst sound of the lot.
Not much Steven can do about that.
Much of that was down to the way they constructed the songs in the studio. There's a brilliant interview with Eddie Offord that explains it.
http://www.nfte.org/interviews/EO234.html
They essentialy recorded one phrase at a time - maybe 8 or 16 bars then spliced sections together and used overdubs to smooth them out. Almost like using pro-tools but with tape. I can imagine that the tape got quite a lot of abuse in this process!
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