The rears on this track is mostly ambiance noise which is strange as Bill mentioned considering how discrete the other tracks are. Maybe the mixer just wanted a change of pace from the rest of the tracks? I don't think it stands out like a sore thumb like Bill does but it would be nice to get some feedback on exactly the thinking that went into it and if it was indeed a problem with the multi track's. Thanks for posting them in Audacity
You guys need to review this one in the forum! (Only 4 or 5 reviews so far)
Just got mine today :banana: all the way from Japan packed in nice sturdy box :banana:
along with Bent up Tull from BULLLLLMOOOOOOOOSE packed like sheeeeeeeet in bubble envelope :howl marked FRAGILE
LMAO
Oh you got it but have not listen to it yet...
Anyone else get this and have opinions? Very few votes in the poll. I guess it's rare and going to stay that way for now.
Anyone else get this and have opinions? Very few votes in the poll. I guess it's rare and going to stay that way for now.
Haha :yikes- mine is still wrapped. I really need to unwrap and give it a listen.
Wheres the poll, link. I want to vote a 10.Anyone else get this and have opinions? Very few votes in the poll. I guess it's rare and going to stay that way for now.
Wheres the poll, link. I want to vote a 10.
It's a bummer Bill Mac that is your experience. Not mine at all. I pretty much love all Japanese SACD recordings, except a few. All Jeff Beck's are sterling. The bullshit that Analogue Productions pulled with Blow By Blow for out of phase rears was rediculous. Only through critical listening with pen and paper could you tell the difference. Trust the Japanese they are good.
What is today's $50 in 1976 dollars?
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