4mins of music in Dolby Atmos running 48/24 with 30 objects (including beds) is around 1Gb so depends on the music.. real time streaming could suffer depending on what kind of internet service you have.Read through it all, and no doubt high res immersive surround would be incredible, but seems like stakeholders are taking their sweet time with roll out. Bandwidth wise, high res surround is not a problem in 2023. Maybe 10 years ago would be difficult but with gig speeds no issue. I wish Apple would push an update to ATV4k to pass up to 192/24.
I assume they’d be streaming in encoded form (TrueHD), which is usually around ~300 MB per song.4mins of music in Dolby Atmos running 48/24 with 30 objects (including beds) is around 1Gb so depends on the music.. real time streaming could suffer depending on what kind of internet service you have.
I was being a little facetious. True HD would be just fine. 192/24 Stereo is fine too, but 96/24 stereo works if it won't be in surround.Oh, you meant 196/24 for each channel of ATMOS?
Re $30, sush, don’t tell Apple!
I think you may have either missed or misinterpreted 'they appear to be mislabeled' in my post.A few non-classical things show up that sound intriguing like a 5.1 mix of the Stevie Nicks 'Stand Back' collection
dabl & soundgals: Wow this is huge news but I cant get 5.1 myself... maybe because I don't have the playback capability. What complete platform are you using to play it back? As mentioned my only link to my HT is Mconnect... but I bet you guys are using roon or something that has a Qobuz server built in.
Rats. It’s still only stereo in the U.S.
I am seeing (and hearing) all 4 cuts as Dolby Atmos in the USRats. It’s still only stereo in the U.S.
Sorry.... I was referring to the two posts after that Heart post that I assumed had content and then replaced with a simple period for whatever reason.I am seeing (and hearing) all 4 cuts as Dolby Atmos in the US
Really liking Big Red Machine
I bet $10 it will. All the rest of the (Taylor‘s Versions) haveDoes anyone now if Taylor Swfit (Taylor's version) of 1989 will receive Atmos treatment?
Everything she's done since 2019 has been mixed in Atmos. I think it's safe to say. Is 1989 on the horizon?Does anyone now if Taylor Swfit (Taylor's version) of 1989 will receive Atmos treatment?
My understanding is that Big Machine still owns the masters of those recordings, and just the masters. Taylor was able to finagle songwriting/licensing ownership, so the old Big Machine versions can’t be used in movies, for example, without Taylor’s permission.I haven’t followed in detail the fallout between Taylor Swift and Big Machine that has led to the “Taylor’s Version” re-recordings. But is there anything legally that has prevented Big Machine from releasing Atmos mixes of the original recordings still under its control?
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