Lizardking : Let me know your impressions on the 5.1 mix when you have the opportunity to give it a listen. Sorry about your receiver !
Plan9: I know that my voice (I'm the lead singer on this project) is often subject to controversy. I'm much more a guitar player/songwriter than a pure natural singer but my voice is also part of the identity of this project. It's definitely not a strong type of voice (I mean in a rock or operatic style), I like to think of it as another instrument in the sound palet I have. About the mix, please give the album a listen in full quality on your monitors and let me know what you would have done differently.
I always give my best when recording/mixing an album and I'm very open to external comments/analyses to improve my work. So please feel free to leave your impressions.
Peterzach (and Lizardking) thanks for the input on the lossless DVD-A, I'll definitely bear that in mind in my future recordings, actually the story behind Nevrast 5.1 is a bit special.
When I started the project I didn't have the possibility to mix in 5.1 so I recorded the album in 44.100hz 16bits. But then thanks to a new soundcard (RME Fireface 800) I had the chance to try 5.1 and trust me I did feel like some sort of pioneer around here
I spent days telling people what it was about, the recurrent question being "do you think 5.1 mixes really interest anybody out there?" My answer was "well it definitely interests me and that good enough a reason to try it".
So I set up Cubase (my recording/mixing DAW) in 5.1 mode, plugged the soundcard to my Harman/Kardon amplifier and started messing around. Since the Harman/kardon system is a hifi system (I only have a 2.1 Adam monitor system in the studio) I spent a lot of time refering to Pink Floyd/Steven Wilson 5.1 mixes to make sure that my 5.1 mix was balanced.
When I finally reached an interesting and balanced 5.1 mix, I exported the 6 tracks, mastered them very lightly in Wavelab and then created an AC3 5.1 file (which is rather compressed) and a much more satisfying DTS file. The original recording being not Hi-res, DTS seemed like the best solution for me.
Well that's about the whole story, thank you all for the kind words of welcome and an extra thank you to those who ordered the album.