alansanchez86
800 Club - QQ All-Star
yup, that was the release date on the amazon linkI have read that it's release date is possibly September 29th but also he might just announce it randomly.
He likes to do things differently.
yup, that was the release date on the amazon linkI have read that it's release date is possibly September 29th but also he might just announce it randomly.
He likes to do things differently.
A friend of mine went to a listening party/session of the latest PT in LA, on one of L-Acoustics and told me that they didnt crank it up as he expected, followed by a compliment that my equipment / HT comes too close to this, and I dont have a 18.1.12 setup heheThe bigger story is that 18.1.12 setup. Holy hell
That stood out to me, too. I was happy last Christmas when I finally made it to 7.2.2, but that seems like a portable transistor radio I had as a kid compared to 18.1.12.The bigger story is that 18.1.12 setup. Holy hell
Is that how it works with extra speakers? I figured the extras were placed in-between and only got sent objects that panned past/through them, rather than doubled bed (discrete) channels.9.1.6 is the maximum # of discrete channels you can get with Atmos, so it's really just that but with each channel reproduced by two physical speakers instead of one - so there are two speakers playing the content mean for front left, two for front right, and so on. Having more drivers pumping air probably helps fill out a larger room with sound, but it's not like you're missing out on any extra seperation.
That is how it works, but only up to 9.1.6 (the maximum # of channels that the Dolby Renderer and Reference Player apps can monitor out). Once you get past that point, I imagine it's just stretching the 15.1 surround image across more speakers by duplicating the content of each channel. I've never listened to or mixed on a setup with more than 15 speakers though, so I can't say for sure.Is that how it works with extra speakers? I figured the extras were placed in-between and only got sent objects that panned past/through them, rather than doubled bed (discrete) channels.
The 'trouble' for me is that these playback sessions use the highest possible spec; who on Earth has a 18.1.12 playback system? But I expect it was fun to be there.
For sure, the more out there keeping the excitement spark alive with the engineers, etc; the better.For me, I welcome this kind of news knowing that there are some who are trying to use the capabilities of Atmos with speaker setups, rather than just mixing for headphones.
I guess that will keep the spirit of some mixers/producers to use the maximum possibilities of Atmos
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