van1
Senior Member
Mere speculation here, but I imagine there’s some subscription management that a small operation like his wouldn’t want to take on at the moment.
While software may deal with some issues, I would still think it’s a big task for a small team.
- You have the management of subscriptions constantly starting and ending.
- The extra work if, during the subscription period, credit cards expire.
- People moving or needing to change an address during the subscription period.
- People griping that during their subscription year, they didn’t get a lot of music they actually liked.
I do think @Marplot makes a good point about a benefit... it shows that there’s a built-in market for these releases that might be beneficial in landing certain albums. Although at this point, I’m sure the basic sales results from the previous releases tell a similar “this works" story.
This is still a pretty young operation. Maybe a couple of years down the line a subscription plan is an option. But right now I think it would be more work than it’s worth.
Could be totally wrong, though.
I think you’re right and a subscription is too complicated for the SDE Team and maybe contentious for blind buys. What i’ve noticed over the last few releases from Eno onwards is that there’s been overlapping open windows for releases which allows for combined shipping rates for multiple purchases eg when TYA was announced, you could still order Shakespeares Sister and pre-order Orbital and concert for George