- Joined
- Jan 9, 2013
- Messages
- 25,711
Yer like why people like <expletive deleted> Garden Gnomes!
If people like the sound of MQA that is great, and I don't have a problem with that, but MQA (even off a CD) is not as you would hear from an unprocessed Master tape.
For Cassette, Vinyl, CD, BDA, 24-bit FLACs etc. the measured difference is obvious but the difference people hear is not as great as the measurements would indicate. The reason is a mixture of the way our ears and brain perceive sound, plus good old bias. I personally like the 'sound' of vinyl, but it is not Master quality, listen to a BDA then an LP and you notice a 'difference' but after a while you're just listening to the music (or ought to be!). MQA is technically a lossy process, and dithering, upsampling, and all the complicated techniques deployed will not change that. Maybe the better sound is that the Mastering Engineer is taking more 'care'.
HDCD decoders used the data stream on the CD to bury the additional information used to add 4-bits to the already 16-bits on the disc, and my Joni Mitchell HDCD do 'sound' better than my standard CDs did. I for one was upset at its demise.
I would say that MQA are very good at marketing.
Agree the HDCD Joni Mitchell remasters sound great ... but my MQA~CD of Mitchell's BLUE sounds astonishing!