I'm worse; producer Jeff Glixman told me a dozen years ago that no 5.1 mix was created. That was around 2007-2010.buzz wrecker. lol
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I'm worse; producer Jeff Glixman told me a dozen years ago that no 5.1 mix was created. That was around 2007-2010.buzz wrecker. lol
Boston (Sony. Tom Scholz apparently controls the catalogue and is allegedly fiercely protective of how it is handled, shall we say, so chances seem v. slim imho)I’m not sure about which companies these artists might be on in the US, but these were big sellers back in the 70’s
Boston
Kansas
Foreigner
Styx
Boz Scaggs - Silk degrees
Donna Summer
ELO
Eagles
Journey
Stevie Wonder
Queen
I’d buy any of these in a heartbeat
I will never understand how any artist could be "anti-Surround." I mean, you can express your music in so many more ways!ELO (Sony. Jeff Lynne supposedly anti-Surround so that maybe a barrier?)
i'm with you on that!I will never understand how any artist could be "anti-Surround." I mean, you can express your music in so many more ways!
(I'm talkin' to you Pauli Simon, too.)
Given the complexity and scale of the vast majority of ELO's recordings, the material absolutely begs for a decent surround treatment. At the very already least Eldorado for which a Quad mix was prepared back in the day, but never released, should be made available.I will never understand how any artist could be "anti-Surround." I mean, you can express your music in so many more ways!
(I'm talkin' to you Pauli Simon, too.)
Hate to say it Adam, but most of those older crop of rock musicians are suffering some form of hearing loss [some extreme] and probably couldn't appreciate the upgrade a surround remix would generate .....Given the complexity and scale of the vast majority of ELO's recordings, the material absolutely begs for a decent surround treatment. At the very already least Eldorado for which a Quad mix was prepared back in the day, but never released, should be made available.
Besides all that, it will be more revenue for the artists. Even if they don't need the money, it would still create some further exposure and recognition of their work, and be something that some fans would appreciate.
I hope that Jeff or his people reads this
My understanding is he's never even allowed anyone to use the original stereo masters. (Let alone the multi-tracks) Everything that has been released has been from a 2nd generation dub at best.Stevie Wonder (Universal. i'd say forget it, sadly. anecdotally, Stevie owns his own masters and won't allow them to be used by anyone, even by Universal themselves supposedly! )
yes, that's the general vibe that's gone down online the last 20 years or soMy understanding is he's never even allowed anyone to use the original stereo masters. (Let alone the multi-tracks) Everything that has been released has been from a 2nd generation dub at best.
AMEN to that! There's no reason why they shouldn't give the 'specialized' fans what they want. I do understand there's cost and time involved in its preparation, but it would be so worth the effort. ELO would be astounding in quad / surround mixes.Given the complexity and scale of the vast majority of ELO's recordings, the material absolutely begs for a decent surround treatment. At the very already least Eldorado for which a Quad mix was prepared back in the day, but never released, should be made available.
Besides all that, it will be more revenue for the artists. Even if they don't need the money, it would still create some further exposure and recognition of their work, and be something that some fans would appreciate.
I hope that Jeff or his people reads this
Imagine the “Out of the blue” album mixed in atmos by Steven WilsonAMEN to that! There's no reason why they shouldn't give the 'specialized' fans what they want. I do understand there's cost and time involved in its preparation, but it would be so worth the effort. ELO would be astounding in quad / surround mixes.
Imagine the “Out of the blue” album mixed in atmos by Steven Wilson
So many great suggestions so far that I would jump on. Add…
Peter Gabriel, So was a big seller that would make for an interesting Atmos mix.
Maybe Genesis, Invisible Touch fits the profile?
Van Morrison hated the 2013 deluxe release of Moondance. It didn't get his blessing at all.Back to the world of Rhino possibilities......
I wonder if 'Van Morrison-His Band And Street Choir' might be considered for a nice big Atmos/DTS 5.1type treatment , although he may be another reluctant surround artist, and this album and Moondance fall under Rhino's catalogue . Afterwhich most if not all are on Exile/UMG.
I know Elliott Scheiner remastered this album in stereo around the same time as his 5.1 of Moondance.
I bought a copy of Astral Weeks on vinyl in 2022 or so and it says Warner all over it, so unless things changed recently, I’d say yes.Van Morrison hated the 2013 deluxe release of Moondance. It didn't get his blessing at all.
Does Warner also still own Tupelo Honey and Astral Weeks, too?
Although...look at @sjcorne's interview with Elliot Scheiner that came out today.Van Morrison hated the 2013 deluxe release of Moondance. It didn't get his blessing at all.
Does Warner also still own Tupelo Honey and Astral Weeks, too?
Yes, according to Jonathan's Scheiner Interview, it seems Van the Man was quite pleased with his remix of MOONDANCE!Although...look at @sjcorne's interview with Elliot Scheiner that came out today.
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